Special exhibition on highlights from the cultural property maintenance and restoration grant program supported by the Sumitomo Foundation

New Life for Timeless Art 2026 -  People and techniques building bridges to the future

Apr.4〔Sat.〕 - Jun.28〔Sun.〕, 2026
PartⅠ Apr.4〔Sat.〕 - May.6〔Wed.〕
PartⅡ May.9〔Sat.〕 - May.31〔Sun.〕
PartⅢ Jun.2〔Sat.〕 - Jun.28〔Sun.〕
Open Hours
10:00~17:00
(Last admission 30 minutes before closing)
Closed
Mondays(except May 4), Apr.24, May 7

Cultural property maintenance and restoration has been supported by the Sumitomo Foundation since its establishment in 1991. Foundation grants have helped to restore the cultural properties featured in this exhibition. We can only appreciate historical materials and fine arts and crafts that reveal our ancestors’ culture and thought because they have been carefully preserved and passed down over time. This exhibition stands apart from most others by introducing what makes cultural properties special from a different angle: the work of dedicated conservators and their advanced restoration techniques.

Minamoto no Saneakira, Satake Version of the Thirty-Six Immortal Poets.
Important cultural property
Attributed to Fujiwara no Nobuzane.
Kamakura period,13th century.
SEN-OKU HAKUKOKAN MUSEUM
Restoration of the "Satake Version of the Thirty-Six Immortal Poets" scroll.
SEN-OKU HAKUKOKAN MUSEUM
Admission Fee
Adults ¥1,200
Students with ID ¥800
Under 18 years old : Free
* A group discount applies for a party of 20 or more.
* Free for people with disability ID
Special exhibition

The Splendid Parade of the Emperor and the Shogun: Art and Culture in 17th-Century Kyoto(tentative)

Sep.5〔Sat.〕 - Oct.18〔Sun.〕, 2026
Open Hours
10:00~17:00
(Last admission 30 minutes before closing)
Day Closed
Mondays(except Sep.21, Oct.12), Sep.24, Oct.13

In September 1626, the bigining of Edo period, the emperor visited Nijo-jo castle in Kyoto at the invitation of the Tokugawa shogunate. The excitement of the parade of the Emperor and Shogun on the first day is explored through a folding screen in the museum collection. The imperial visit to Nijo-jo Castle (known as Kan’ei Gyoko) is considered which heralded an age of peace and led to the emergence of new culture. The exhibition also focusses on the elegant Kan’ei culture that developed during the second half of the 17th century.

The Emperor's formal visit to Nijo Castle(Left screen).
Kyoto City designated cultural property
Edo period, 17th century.
SEN-OKU HAKUKOKAN MUSEUM
Partial view of the left panel of the screen:Imperial Carriage.
Edo period, 17th century.
SEN-OKU HAKUKOKAN MUSEUM
Admission Fee
Adults ¥1,200
Students with ID ¥800
Under 18 years old : Free
* A group discount applies for a party of 20 or more.
* Free for people with disability ID
Special Exhibition 100th Anniversary of the Passing of SUMITOMO Shunsui

Fortunate Encounters of the Sumitomo Modern Art Collection

Oct.31〔Sat.〕 - Dec.20〔Sun.〕, 2026
Open Hours
10:00~17:00
(Last admission 30 minutes before closing)
Day Closed
Mondays(except Nov.23), Nov.24

The foundation stone of the Sen-oku Hakukokan collection was laid by fifteenth head of the Sumitomo family, SUMOTOMO Kichizaemon Tomoito (pseudonym: Shunsui; 1864-1926). This commemorates the 100th anniversary of his passing by introducing artworks associated to him. It traces his exchange with artists who were his contemporaries, focusing on Japanese-style paintings, Western-style paintings as well as craftworks from the collection. It also provides an opportunity to reflect upon his discernment through the artworks that drew his interest, and further to reevaluate the history of the formation of the collection in term of the backdrop and specific era of its acquisition.

Vase with Auspicious Fruit design, Matte Glaze.
Important cultural property
Itaya Hazan.
Meiji period,dated 1917.
Myna on Magnolia Branch.
OTAKE Chikuha
Meiji period,dated 1912.
SEN-OKU HAKUKOKAN MUSEUM TOKYO
Admission Fee
Adults ¥1,200
Students with ID ¥800
Under 18 years old : Free
* A group discount applies for a party of 20 or more.
* Free for people with disability ID

Bronze Gallery: Ancient Chinese bronzes

Apr.4〔Sat.〕 - Jul.31〔Sun.〕2026
Sep.5〔Sat.〕 - Dec.20〔Sun.〕, 2026
Open Hours
10:00~17:00
(Last admission 30 minutes before closing)
Day Closed
Monday during the exhibition
(Open on public holidays, closed on the following weekday)

Ancient Chinese Bronzes
The Sumitomo Collection has been synonymous with Chinese bronzes. Many visitors have enjoyed the gallery for bronzes since 1970 when the first world’s fair in Osaka was held, and the reopening of SEN-OKU HAKUKOKAN MUSEUM in Kyoto introduces updated exhibitions. In the four existing exhibition rooms capitalizing on interior spaces created by this modern architectural gem, visitors can enjoy a multifaceted exhibition on fascinating bronze vessels that reveal the consummate craftsmanship of ancient China.

Masterworks collection
Some of the finest Chinese bronzes in the Sumitomo Collection are showcased in new display cases here. Also on display here are introductory notes on Chinese bronzeware that guide visitors on a journey through this captivating realm.

Variety and utility of bronze vessels
Here, visitors can gain an appreciation of what kinds of bronze vessels were created and what purposes they served. The curiously shaped Chinese bronzes were used as tableware, drinking vessels, water vessels, and musical instruments, which is also engagingly illustrated in this room with videos that include digital content to show how they were once used.

Intriguing patterns and motifs
Not to be missed, details from charming, animal-like figurines to intricate and eerie patterns that cover the surfaces are an essential feature of Chinese bronzes. This room focuses on the intriguing, fascinating patterns and motifs found on the vessels.
Feature exhibition on inscription
Sep.5〔Sat.〕 - Dec.20〔Sun.〕, 2026
Some vessels feature cast inscriptions of ancient Chinese text. This exhibition introduces the inscriptions–both beautiful calligraphy and a valuable historical record of current thought and ideology–along with masterworks in the Sumitomo Collection.

Eastward propagation
Bronze culture originating in China made waves throughout East Asia, and these areas eventually produced their own vessels. Here, the exhibition explores this eastward propagation, especially in the case of mirrors that became popular, and presents bronze vessels from Japan and elsewhere.

Owl shaped wine vessel, Ge You.
BCE12th century.
SEN-OKU HAKUKOKAN MUSEUM
Wine container, Jing You.
BCE10th century.
SEN-OKU HAKUKOKAN MUSEUM
Admission Fee
Apr.4〔Sat.〕- May.6〔Wed.〕,May.9〔Sat.〕- Jun.28〔Sun.〕, Sep.5〔Sat.〕- Oct.18〔Sun.〕,Oct.18〔Sat.〕- Dec.20〔Sun.〕2026
⇒ Adults ¥1,200 / Students with ID ¥800
May.8〔Fri.〕, Jun.30〔Tue.〕- Jul.31〔Fri.〕, Oct.20〔Tue.〕- Oct.30〔Fri.〕 2026
⇒ Adults ¥600 / Students with ID ¥500
* A group discount applies for a party of 20 or more.
* Free for people with disability ID

Directions

  • Open Hours
    10:00~17:00
    (Last admission 30 minutes before closing)
  • Admission Fee
    Adults ¥1,000 ★(¥1,200)
    Students with ID ¥600 ★(¥800)
         ★(admission for special exhibitions)
    * A group discount applies for a party of 20 or more.
    * Free for people with disability ID

    Ticket on Smartphone / Print At Home Online Ticket

  • Day Closed
    Mondays during the exhibition
    (Open on public holidays, closed on the following weekday)

Access

City Bus lines 5, 93, 203 and 204 ; Get off at “Higashitenno-cho” and walk 200m to the east.

Lines 32 ; Get off at “Miyanomae-cho”

Address


24 Shimomiyanomae-cho, Shishigatani, Sakyo-ku Kyoto, Japan 606- 8431
+81-75-771-6411
Email: info@sen-oku.or.jp

Parking


Free to Museum visitors.

About the museum

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SEN-OKU HAKUKOKAN MUSEUM and SEN-OKU HAKUKOKAN MUSEUM TOKYO are art museums focusing on the collection of the Sumitomo family.
The Sumitomo Collection contains works in a broad range of fields, including ancient Chinese bronzes; Chinese, Japanese, and Western paintings and calligraphy; modern ceramics; tea ceremony utensils; writing tools; and Noh masks and costumes.
Located in Kyoto and Tokyo, the two museums hold exhibitions taking advantage of the characteristics of their respective locations.

Most of the items in the Sumitomo Collection were acquired by the fifteenth head of the Sumitomo family, SUMITOMO Kichizaemon Tomoito (nicknamed “Shunsui”), during the late nineteenth and early twentieth centuries.
Shunsui laid the foundation for the modern Sumitomo Group by expanding the family business from copper mine operation into various fields and promoting modernization. Meanwhile, he also showed a high degree of interest in art and culture and left a significant mark on cultural social enterprises, including the donation of construction and book purchasing costs for a library in Osaka Prefecture in 1900.
At the same time, he was fond of the tea ceremony, as well as classical Japanese performing arts such as Noh, and decorated the alcoves of his residence with Japanese paintings of the four seasons. Motivated by admiration for the Chinese literati, he enjoyed Chinese-style sencha tea ceremonies and seal engraving in his study, surrounded by writing tools. He was also an active supporter of Japanese Western-style painters in his day and built a Western-style villa on the scenic Suma coast, where he enjoyed a Westernized lifestyle that was progressive for its time. With his wide-ranging interest in culture, Shunsui collected fine artworks from all different eras and parts of the world.

At the center of the Sumitomo Collection are Chinese bronze vessels highly prized both in Japan and abroad. SEN-OKU HAKUKOKAN MUSEUM was established in 1960 with the donation of more than 500 Chinese bronze vessels and mirrors by the Sumitomo family. Rather than stashing his collection away, Shunsui shared it widely through various means such as exhibitions, increasing public recognition of Chinese bronzes. He also made significant contributions to the research field through the publication of splendid catalogs.
The attitude and ideals of Shunsui’s social contributions through culture have been handed down to posterity and form the basis of the museum’s current operations.

The collection has been further enhanced through the addition of works by masters of late Ming and early Qing Chinese painting such as Bada Shanren and Shitao, as well as the great modern Japanese Western-style painter KISHIDA Ryusei, acquired by Shunsui’s eldest son Kan’ichi, along with works by leading twentieth-century Western painters such as Picasso and Renoir, as well as Japanese painters from the same period, collected by the sixteenth head of the Sumitomo family, Tomonari.